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Ο Christopher Nolan είναι με διαφορά ένας από τους κορυφαίους σκηνοθέτες της εποχής μας και κάθε του ταινία αναμένεται με ξεχωριστό ενδιαφέρον. Το εξίσου σημαντικό είναι να δούμε ποιές είναι οι ταινίες που αρέσουν πολύ στον σκηνοθέτη.
Ο σκηνοθέτης αποκάλυψε τις 35 αγαπημένες του ταινίες και γενικότερα αυτές τις οποίες θεωρεί ότι δεν πρέπει να χάσετε, ενώ είναι δεδομένο πως επηρεάστηκε από αυτές τις πολλές και ωραίες επιλογές:
“Heat” (1995)
Ομολογεί πως εμπνεύστηκε από αυτή την ταινία (εννοώντας για το The Dark Knight)
“The Hateful Eight” (2015)
“Well that’s a hell of a movie, isn’t it? What an incredible thing and an incredible way to bring back the atmosphere and the beauty of seeing a film in a theater. Watching this film, it felt like it had an increased level of formalism. There is a real calm and thought for where the camera is always. It’s also in the music. There is a great sense of the history of cinema in it.”
“Baby Driver” (2017)
“It was a phenomenal piece of work. For me, the action is so spectacularly well directed in this film. ‘World’s End,’ too. The fight scenes, I love the way you put those together. But all the foot chases and car chases in this, it’s like you really mean it. You really enjoy that. There’s something American about that. The showmanship of this movie.”
“Chariots of Fire” (1981)
“The visual splendor, intertwined narratives and aggressively anachronistic music of Hugh Hudson’s ‘Chariots of Fire’ combined to create a masterpiece of British understatement whose popularity rapidly obscured its radical nature.”
“Speed” (1994) και “Unstoppable” (2010)
Ανέφερε πως εμπνεύστηκε την τεχνική και την ματιά του στο “Dunkirk,” από τις δυο ταινίες που ήταν αγωνιώδεις και εξαιρετικά σκηνοθετημένες.
“2001: A Space Odyssey” (1968)
“I just felt this extraordinary experience of being taken to another world. You didn’t doubt this world for an instant. It had a larger than life quality.”
“12 Angry Men” (1957)
“Alien” (1979)
“The director I have always been a huge fan of… Ridley Scott and certainly when I was a kid. ‘Alien,’ ‘Blade Runner’ just blew me away because they created these extraordinary worlds that were just completely immersive.”
“All Quiet On The Western Front” (1930)
“Revisiting that masterpiece, it is hard to disagree that the intensity and horror have never been bettered. For me, the film demonstrates the power of resisting the convention of finding meaning and logic in individual fate.”
“Bad Timing” (1980)
“Nic Roeg’s films are known for their structural innovation, but it’s great to be able to see them in a form that also shows off their photographic excellence.”
“The Battle Of Algiers” (1965)
“a timeless and affecting verité narrative, which forces empathy with its characters in the least theatrical manner imaginable. We care about the people in the film simply because we feel immersed in their reality and the odds they face.”
“Blade Runner” (1982)
“Close Encounters Of The Third Kind” (1977)
“First Man” (2018)
“It’s a masterfully staged re-creation of the space program with utterly compelling physical detail and layers of cinematic immersion that command credence and ensure that the radical and intensively subjective nature of Chazelle’s point-of-view comes as a gradually unveiled shock.”
“For All Mankind” (1989)
“Foreign Correspondent” (1940)
“No examination of cinematic suspense and visual storytelling would be complete without Hitchcock, and his technical virtuosity in ‘Foreign Correspondent’’s portrayal of the downing of a plane at sea provided inspiration for much of what we attempted in ‘Dunkirk.’”
“Greed” (1924)
“The Hit” (1984)
“Koyaanisqatsi” (1983)
“Lawrence of Arabia” (1962)
“Merry Christmas Mr. Lawrence” (1983)
“Metropolis” (1927)
“Mr. Arkadin” (1955)
“The Right Stuff” (1983)
“Saving Private Ryan” (1998)
“The Spy Who Loved Me” (1977)
“Ryan’s Daughter” (1970)
“Star Wars” (1977)
“Street of Crocodiles” (1986)
“Sunrise” (1927)
“Superman – The Movie” (1978)
“The Testament of Dr. Mabuse” (1933)
“The Thin Red Line” (1998)
“Topkapi” (1964)
“The Tree Of Life” (2011)
Cineramen
